December 2, 2011

Interview: Mike Langlie from Twink

Toy piano electronica songwriter • producer • engineer • arranger • keyboardist

Is there a certain type of person you write your songs for?

I’m my own primary audience first and foremost. This project is about getting the crazy music swirling through my head out into the real world, with varying levels of success.

It’s a surprise and delight when someone takes time to tell me they enjoy what I do. They’re usually non-cynical types who can see the world with a childlike wonder, or actual kids themselves. Beyond that I have no idea who my audience is. I think it requires a high tolerance for whimsy that many people don’t possess!

Who were your musical influences at an early age?

Some of my earliest influences still inspire me with every listen. Prince for his ability to breathe funky life into technology. Devo for crafting offbeat space-age nursery rhymes. Depeche Mode for proving that synth-pop can be emotional as well as stylistic. Descendents, Black Flag and Ramones for their no-frills bursts of sonic energy that never fail to deliver a hook. Einsturzende Neubauten and Throbbing Gristle for turning the rubble of dystopia into a (dangerous) musical playground.

Warner Brothers cartoons and old kids’ shows like The Little Rascals also influenced me heavily. It’s great that those soundtracks are finally recognized as masterworks worthy of their own attention.

What’s your writing process like?

Songs usually start as melodies plunked out on a toy piano or glockenspiel, captured with a Zoom handheld recorder or a mic plugged into my MacBook. Those parts get edited and arranged in Audacity, GarageBand and Reason. I have a ton of electronic and mechanical musical toys that I sample and mix with Reason’s built-in synths and drum machines as accompaniment.

Recently I’ve been having fun with gizmos like Korg’s Monotron and the Pocket Piano by Critter & Guitari. I’m also enjoying weird iPhone music apps like The Badlion’s Garage Synth and Tweakybeat, which is all over the new Twink album.

Where did you come up with the idea for your featured song, “Pigeon Walk?”

My wife has raised fancy pigeons for a few years as a hobby. They’re simple creatures that spend most of the day marching around constantly establishing pecking order. In addition to photographing and drawing them I wanted to try capturing their personalities as a musical sketch.

I sampled phrases using funny percussion, musical toys and household items. As much work went into building it up as removing unnecessary notes and parts to keep it focused. It’s still busy enough to suggest its subject without being as overly decorated as my songs tend to be.

Listen to the featured song!

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Artist web site

November 14, 2011

Interview: Spookey Ruben

Alternative power pop industrial songwriter • producer • guitarist • vocalist • keyboardist

Can you tell me about the first song you ever wrote?

The first song I ever wrote and recorded by myself was called “Trouble in the Sky” — I was either 12 or 13 years old. I had saved up all my money for a dual cassette player that had mic inputs on the front — and to my surprise it would allow me to record the live mic at the same time I’d be dubbing a cassette — so I had basically figured out my own multi-tracking system using this ‘practically defect’ machine. So first I’d record the drums i sequenced on my brother’s Yamaha PRS keyboard, I’d then have that tape running while I’d record the bass guitar onto a fresh new tape, and so on. Am I making sense? The song itself, lyrically/musically is pretty mature in a way — but also kinda funny: my voice hadn’t broken yet. Overall amusing! The verse started with, “I’ve been waiting for a dream, but listening to the wishes of the mean world, real world…” The chorus was “I can see trouble in your eyes / I can see trouble in the sky!” — gotta find that tape!

Are you the person who comes through in your songs, or are there aspects of yourself that you hold back?

I’ve always been most impressed by artists who take on different personas and go the distance theatrically in telling a story e.g Kate Bush, Prince. There is a German band called Spliff that had a huge influence on me — they were kind of like Germany’s answer to 10CC — they’ll go to great lengths to musically exaggerate a theme — playing with all genres of music. I wouldn’t say I’m holding back aspects of myself. I feel like music is the place actually where I’m often asking myself “Who am I?” It’s in my music that I’m able to express a lot of my fantasies — images, ideas, oddities that inspire me.

Is there a certain type of person you write your songs for?

No. Often times I am faced with people saying things like “Do it for the fans!” My response is that I think my fans really just want me to “do what I do.” What excites me most when I’m writing a song is the feeling that I’m going somewhere I haven’t gone before — that’s what’s most important. I noticed a lot of artists’ process revolves around copying things they or other people have already mastered. That’s not my raison d’etre. I need to be travelling to a new exotic destination every single time. My newest ditty isn’t even written for a person. In fact, I wrote it for a dog called Gunnar who passed away a couple of months ago. It will most definitely be on my next album.

Where did you come up with the idea for your featured song?

The featured song is called “I Care about You” and it’s from my latest EP called Shackleton. In the realm of “romantic” pop songs (even though I have many) I still always feel like I have merely touched the tip of the iceberg. Recently I’ve been totally fascinated with ballads in the Italo Pop genre — and here I feel like I’m taking that feeling and blending it with an American R&B flavour. Lyrically, I wrote the song because I love my woman. Sit back and enjoy!

Listen to the featured song!

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Purchase Shackleton here!

Artist web site