February 8, 2012

The Simple Carnival – “Everything That Grownups Know” 3D video

It’s been five months (!) in the making, but finally — here’s the video to The Simple Carnival’s “Everything That Grownups Know.”

Put on your red/cyan 3D glasses and check it out!

Like the song? You can download it for free if you make a post about it on Twitter or Facebook!

More information about The Simple Carnival’s Smitten 3D project can be found here.

December 15, 2011

Trick #61: Create the world you want to live in

Create the world you want to live in.

Do it through your music.

For example, I’d written a song called “Hey Lancaster”…

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…which was inspired by some old friends I had lost touch with — and missed.

A few years later, they were serendipitously back in my life. I’m not even sure how it happened.

I credit the song.

December 10, 2011

Trick #57: Recognize and embrace patterns

All music is based on patterns.

Rhythmic patterns. Melodic patterns. Structural patterns. Logic patterns.

When does the music you’re working on feel ‘right’? It’s usually when you’ve created a pattern that is similar — but different — from a pattern that’s in your subconscious.

This is not plagiarism; plagiarism is when the pattern is the same thing. Something that feels right is when the pattern shares similarities, and the similarity was not a conscious choice.

For example, I made an album called Girls Aliens Food. I came up with the title while driving. I was thinking about the themes on the album and happened to drive past a strip bar which was advertising “Live girls… food.”

But it wasn’t until months later that I noticed that the rhythmic feel of the title shared similarities to a Lemonheads album that I like called Car Button Cloth.

Plagarism? Nope.

A conscious attempt to mimic the rhythm and logic pattern? Nope.

Did the title Girls Aliens Food feel right on a subconscious level because it shared a similar rhythmic and logic pattern with Car Button Cloth?

Most likely.

Recognize the patterns in your work and in your influences. Don’t try to copy them, but embrace the similarities when they feel right.

December 4, 2011

Trick #54: Recording a party where there is none

Need a royalty-free party sound with real room ambience — and without holding a party?

Record yourself having imaginary conversations. Do different voice impressions. Tweak the voices by speeding them up or slowing them down. You will likely feel very silly while doing this.

Put all of the conversations onto multiple CDs or mp3 players. Set up a bunch of stereo speakers in the dining room (or wherever you might have a party), each of them playing a different looped recording of a different length. Press the play buttons on everything. Instant party.

It’s especially eerie if you’re in another room of the house. Set up two mics and record the result.

I did this for the party noise on “Cocktails”:

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November 30, 2011

Work in progress: “Everything That Grownups Know” 3D video

This is what I’m currently working on — a 3D video to The Simple Carnival’s “Everything That Grownups Know.” This is part of the Smitten 3D project. I’ve drawn and animated everything in here, in addition to playing all the parts (except for drums).

Put on your red/cyan 3D glasses and check it out!

Here’s the complete song, without the 3D video:

Drums: Chris Belin
Vocals and all other instruments: Jeff Boller

November 27, 2011

Trick #50: Microcassette vocal mic

Use a microcassette recorder as a “vocal” mic.

The built-in compression on these devices is usually so crazy that it lends an interesting character to whatever you record into it.

I used this sound for the scratchy response vocal in the chorus of “Really Really Weird“:

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Record onto the cassette, then play the tape into your DAW and line things up at the proper place in the mix.

Or, for a slightly cleaner sound, put the recorder into record mode and connect the headphone out jack into your DAW input. Then you can truly use the microcassette recorder as a real-time “mic.”

November 18, 2011

A great drummer you should know

If you’ve listened to any of The Simple Carnival’s Smitten 3D songs, you’ve heard the fantastic Chris Belin on drums.

If you’re looking for a rock solid, professional drummer to play on your session, head over to his web site and get in touch. Tell Chris that J-Bot sent you!

www.chrisbelindrums.com.

November 17, 2011

The Simple Carnival featured in the Pittsburgh City Paper

And so the interview tables are turned — The Simple Carnival is being featured in the Pittsburgh City Paper!

November 12, 2011

Trick #41: Lyric idea box

Do you think of lyric fragments and song titles when not writing songs?

Write them down immediately on the nearest piece of paper.

Later on, cut up the paper and put your lyric fragments in one box and your song title ideas in another box. When you get stuck, it’s fun to pull out these boxes and see if anything gives you an idea.

“Hey Lancaster” started out as a title I found in a box:

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November 6, 2011

Trick #38: Random library books

Browse the library and acquire a bunch of random books with promising titles.

Force yourself to write a song about one of the books, even if you haven’t read the whole thing. I did this with “You Jump First”:

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(The book was this one.)

You can flip through a book and pull out interesting phrases and see where they lead.

I’d gotten a book of gym class games, and got the titles “No Rules Basketball”…

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…and “Everybody’s It”…

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…from it.

I got the title and inspiration for “The Holley Loft”…

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…from a book on architecture.